par Bill Tiepelman
Song of the Spotted Sky
The Problem with Borrowing Magic By the time Pip realized the sky was humming in a key he could actually hit, he’d already promised three different mushrooms an encore and a fern a personalized shout-out. Pip—being a spotted owl-dragon hatchling with the attention span of a soap bubble—loved applause, snacks, and shortcuts, not necessarily in that order. He had two shiny new wings, a belly like a toasted marshmallow, and the deep personal conviction that rules were for species without charisma. On this particular morning, the forest glowed like it had been gently basted in sunlight and baked to golden perfection. Pip perched on a log, warming his toes and contemplating the day’s agenda, which mostly involved not doing the responsible thing and definitely doing the dramatic thing. The responsible thing was practicing flight patterns. The dramatic thing was debuting his original composition: “Song of the Spotted Sky.” There was only one issue—he hadn’t technically written it yet. Minor speed bump. Major main-character energy. “Art is ninety percent confidence and ten percent improvisation,” Pip announced to a moss ball, which offered the kind of silent support only spherical plants can. “Also, snacks.” He flicked his ears, spread his leathery wings, and attempted a warmup trill that sounded like a piccolo losing an argument with a kazoo. Somewhere in the canopy, an elderly jay shouted, “Cease and desist!” which Pip took as rave feedback from his core demographic: disgruntled elders. Enter Marnie, a bat with the dry wit of a tax auditor and the fashion sense of midnight. She hung upside down from a low branch like punctuation at the end of a bad decision. “You’re going to try sky-singing without asking the sky?” she asked, deadpan. “Bold. Illegal. I respect the commitment to chaos; I do not endorse the consequences.” “I’m not stealing the sky’s song,” Pip said. “I’m sampling it. Very modern. Very remix culture.” He wiggled a talon like a lawyer presenting a loophole. “Also, the sky is big. It won’t notice.” Marnie blinked. “The sky notices everything. It’s literally the surveillance state of nature.” She flapped once, landing beside him. “Look, maestro, you can either learn the fundamentals or you can learn them the hard way. The sky will teach you, but it charges interest.” Pip pretended to listen, which is to say he didn’t. The forest was now definitely humming, a slow, honey-thick chord that slid under his skin and lit up his bones like lanterns. It felt like standing in front of a bakery when the first tray of cinnamon rolls hits the air—illegal levels of irresistible. He lifted his chin and caught the melody, bright and simple as a whistle. It fit his throat like a key in a lock. He sang. Oh, he sang. Notes poured out like coins from a cracked jar—tinkling, spinning, showing off. Birds paused mid-complaint. Leaves angled themselves for better acoustics. Even the grumpy jay muttered, “Well, I’ll be—” and forgot to finish being offended. Pip’s wings vibrated with resonance, and the log thrummed along as if it, too, had been waiting to be part of something catchy. “See?” Pip gasped between phrases. “Effort is a myth invented by mediocre squirrels.” He stretched the last note into a glittering ribbon—and felt it tug back. The sky’s melody hooked him like a fish on an invisible line. He choked. His next breath tasted like static and rain. The golden haze sharpened to a metallic blue, and the air grew crowded, like a room where someone important had just walked in. The song—the sky’s song—unspooled wider, older, and wholly unimpressed. The clouds drew together with the soft menace of a librarian closing a very heavy book. A voice rolled across the glade, not loud, but large, as if it had been practicing patience for a few million years. “Little borrower,” it said, “did you ask?” Pip, who had not asked, did what all natural performers do when confronted with accountability: he smiled like a discount cherub and tried charm first. “Big beautiful sky,” he crooned, “I was merely honoring your work with a tasteful tribute—” “Cute,” the sky said, in the tone of a bouncer checking an obviously fake ID. “Return what you took.” The humming tightened. Pip’s wings snapped open on their own, his feet skittered, and he found himself hovering a foot above the log, held there by a music that tolerated no nonsense. Marnie winced. “Interest,” she reminded him, like a friend who has absolutely called this before. “Also, do not say ‘remix culture’ again. Nature starts charging royalties.” The sky’s melody pressed against Pip’s chest. Under it, he could hear something smaller—a thin, bright thread that might’ve been his voice. If he didn’t learn fast, he’d be a cautionary tale with good hair. The forest leaned in. The moss ball leaned in, which is impressive for something with no neck. “Okay,” Pip whispered. “Teach me.” The sky paused, amused. “Lesson one,” it said. “You don’t get to lead the choir until you’ve learned to listen.” The Choir of Small Noises Pip did not like being grounded—especially while hovering a foot off the ground. The irony was thick enough to butter toast with. The sky’s magic held him in place like an invisible hand, and his wings, those shiny new symbols of self-importance, trembled as if they had realized they’d been rented, not owned. “Lesson one,” the sky had said, in that tone all teachers use right before you regret enrolling. “Listen.” So Pip listened. Or rather, he pretended to. He tilted his head, widened his eyes, and summoned the expression of someone who had just discovered depth as a concept. The forest hummed around him, but it wasn’t the dramatic cosmic harmony he expected. It was… busy. Petty, even. The soundscape of small lives doing small things with alarming commitment. Leaves whispered gossip about who was photosynthesizing too loudly. Ants bickered about traffic management. A beetle somewhere was giving an unsolicited TED talk on bark texture. Even the moss muttered in an ancient, damp dialect that seemed mostly to be complaining about the humidity. It was less “sacred song of the natural world” and more “open mic night for neurotic vegetation.” “Is this it?” Pip whispered. “This can’t be it. The sky wants me to listen to this?” “Yes,” said Marnie, who had returned, smug as gravity. “This is what the universe sounds like when you’re not starring in it.” Pip gave her a side-eye so sharp it could’ve opened envelopes. “You’re suggesting that enlightenment sounds like moss complaining about its knees?” “You’d be surprised,” she said. “The trick is realizing it’s not about you. That’s when you start hearing what’s really there.” “But I’m adorable,” Pip protested. “Surely the universe can make an exception for someone with marketable charm.” “The universe has a strict no-influencer policy,” Marnie said. “Now shut up and listen harder.” He did. And gradually—painfully—the noise began to sort itself into something less like chaos and more like pattern. The beetle’s rant had rhythm. The ants marched in percussion. Even the muttering moss had a bass line so low it vibrated his feathers. Tiny sounds wove together, looping, layering, becoming something bigger. Pip blinked. For the first time, he noticed the beat under the breeze, the way the sunlight hit leaves in tempo, the soft pulse of sap and water. He wasn’t hearing notes; he was hearing intention. And somewhere in it, faint but steady, his own voice was tucked like a wayward thread—part of the fabric, not on top of it. “Well, I’ll be feathered,” he murmured. “They’re all… singing.” “You just realized that?” Marnie said, hanging upside down again, because emotional growth was clearly exhausting for her. “Everything sings. Some things just do it off-key.” “So the sky’s song…” Pip began slowly. “It’s everyone?” “Exactly. You tried to solo over a symphony.” Pip frowned. “But how am I supposed to stand out if I blend in?” Marnie gave him a pitying look reserved for the hopelessly theatrical. “Oh, sweet nebula, that’s not the problem. You already stand out. The problem is you don’t fit in. Big difference.” He chewed on that thought, which tasted suspiciously like humility and dirt. The forest hum swelled again—gentle, accepting, disinterested in his personal narrative. He tried humming along, softly this time. His tone wobbled, then steadied as he stopped performing and just… participated. The air shifted. The sky, which had been looming like a disappointed stage manager, eased its grip. “Better,” it rumbled, though it sounded almost amused now. “You’re not tone-deaf to consequence anymore.” Pip grinned weakly. “So… I’m free?” “Free-ish,” the sky said. “You still owe me a song. But now you’ll write it with the world, not against it.” “Collaborations aren’t my brand,” Pip muttered. “Neither is existing as a cautionary tale, and yet…” Marnie said. Pip exhaled, flapping his wings just to make sure they still worked. They did, but something had changed. The air felt thicker with meaning, heavier with… awareness, maybe. Or possibly guilt. Hard to tell those apart when you’ve just been schooled by the atmosphere itself. “Fine,” he said, stretching his neck dramatically. “I’ll listen. I’ll learn. I’ll become one with the whatever. But I refuse to stop being fabulous about it.” “No one’s asking you to,” Marnie said. “Just—maybe use your fabulousness for good. Like inspiring humility. Accidentally.” That night, Pip climbed to the tallest branch he could find. The stars blinked awake one by one, like cosmic critics taking their seats. The forest murmured in its thousand sleepy languages. He inhaled the scent of moss, bark, and something like old stories—and began to hum again. This time, the sound didn’t fight the world; it folded into it. The trees harmonized softly. The wind sighed in perfect pitch. A cricket orchestra joined in, playing from the shadows. Even the moon gave a slow, approving nod. Pip sang—not to impress, but to connect. It wasn’t as shiny as performing, but it was deeper, warmer, more… real. And for a moment, the forest’s countless little noises stopped being noise at all. They were the song. The spotted sky above shimmered as if smiling. Then, of course, a toad somewhere croaked completely off-beat and ruined the vibe. “Every band has a drummer,” Marnie said from a nearby branch. “Don’t take it personally.” Pip snorted. “You think the sky’s still listening?” “Oh, definitely. But it’s laughing now.” The night air buzzed softly, and Pip thought—just for a moment—he heard the faintest chuckle woven into the stars. He didn’t know if it was mockery or approval. Probably both. “Lesson two,” the sky murmured faintly. “Humility doesn’t mean silence. It means knowing when not to scream.” “That’s going on a T-shirt,” Pip said, and the wind carried his laughter into the dark, where even the toad managed to land on beat—just once. Encore Under the Falling Stars By the following evening, Pip had achieved something most creatures only dream of: a partial redemption arc and a sense of perspective. Unfortunately, both were terrible for his brand. Nobody buys plush toys of a morally balanced protagonist. He missed being the scandalous, sparkly one—the kind of hatchling who looked like trouble and sounded like a soundtrack. But he also didn’t particularly want to get vaporized by the upper atmosphere again, so personal growth it was. “Balance,” he told himself the next morning, as he tried to hum while eating a berry roughly the size of his head. “Moderation. Maturity.” He paused to lick juice off his wing. “God, I hate it here.” “You’ll get used to it,” said Marnie, who’d made a hobby of appearing uninvited whenever his self-esteem was within kicking distance. “Besides, if you’re done being punished, maybe you can figure out what the sky actually wants from you.” “I thought it wanted me to listen,” Pip said. “Then it wanted me to collaborate. What’s next? Therapy?” “You could use some,” Marnie said cheerfully. “Your ego’s still writing checks your soul can’t cash.” Pip scowled, but she wasn’t wrong. The forest was quieter today—or maybe he was just tuned differently. The chatter of beetles felt less like background noise and more like percussion again. The leaves’ whispers had softened into melody. Even the cranky moss had settled into something like harmony. And over it all, the sky’s hum lingered—patient, constant, the low thrumming reminder that magic, like rent, was due monthly. Then came the rumor. It started in the brambles, as most bad ideas do. A flock of sparrows passed it along to the jays, who exaggerated it into legend, and by sundown the whole forest knew: the sky was planning an open concert. “An open concert?” Pip repeated when Marnie told him. “Like… auditions?” “More like a cosmic jam session,” she said. “Every species gets a chance to contribute their sound. It’s how the sky keeps the balance—every few decades, everyone has to remind it they still exist.” Pip’s feathers fluffed. “So it’s basically a celestial open mic night?” “Exactly. Except if you mess up, you don’t just get booed off stage. You might, you know… disappear.” “Oh,” Pip said, smiling too wide. “So high stakes. Perfect. I’m in.” “You’re not invited,” Marnie said immediately. “You literally just got off musical probation.” “And yet,” Pip said, already preening, “how poetic would it be if I came full circle? The sky took my song—now I give it back, better. Redemption arc, act three, the critics will eat it up.” “The critics,” said Marnie, “will eat you.” But Pip had already decided. You can’t argue logic with someone who narrates their own character development in real time. The Sky’s Stage Three nights later, the entire forest gathered in a clearing so vast it seemed carved by something older than weather. The trees leaned back respectfully, their canopies forming natural amphitheater walls. Fireflies swirled overhead like stage lights. Even the moon looked dressed up, shining with the smug brightness of someone who’d scored front-row seats. The air was thick with anticipation and pollen—both equally intoxicating. One by one, creatures performed. The frogs croaked thunderous harmonies. The crickets chirped in complex polyrhythms that would’ve made jazz musicians weep. The breeze itself sighed through the reeds, a wistful solo that drew a standing ovation from the ferns. Even Marnie participated, contributing a haunting echo that danced through the canopy like smoke and shadow. And then, as always, Pip made an entrance. Not just an entrance—a moment. He swooped in with the subtlety of fireworks at a funeral, his wings catching the moonlight like polished bronze. The crowd collectively groaned. You could hear a fern mutter, “Oh gods, it’s him again.” “Evening, adoring public!” Pip declared, landing on a moss-covered boulder. “I come humbly before you to—” “Stop talking before the smiting starts,” Marnie hissed from above. “—to share a lesson learned!” Pip continued, ignoring her. “Once, I sang without listening. I borrowed what wasn’t mine. But now, I bring back what I’ve found: my voice, shared, not stolen.” He fluffed his chest feathers, inhaled, and began. At first, his song was small—a single, clear note, fragile as glass. Then it grew, layered with echoes of everything he’d heard since: the whisper of moss, the chatter of ants, the rustle of leaves. His voice rose and fell in rhythm with the forest’s breath. It wasn’t perfect. It cracked. It stumbled. But it was alive. Honest. His melody wound through the night like a thread stitching everything together. The sky listened. Then—because the universe enjoys good timing—a shooting star tore across the heavens. It left behind a streak of light that seemed to pulse in sync with Pip’s song. One became two, then ten, then a rain of falling stars, each burning brighter as his voice wove around them. The forest gasped. Even the moss stopped mumbling. The sky spoke again, but this time not as thunder or judgment. It was laughter, soft and rumbling, full of warmth and warning both. “You’ve learned to listen,” it said. “Now listen to what you’ve made.” Pip’s song didn’t stop when he stopped singing. It kept going—echoed, mirrored, remixed by the world itself. The frogs picked up his rhythm. The crickets repeated his melody. The wind whistled in harmony. For the first time, the forest didn’t just hear him; it answered him. And it sounded good. Unreasonably good. Like, “someone’s-going-to-start-selling-merch” good. He beamed. “So… I passed?” “Technically,” said the sky, “but I’m keeping the publishing rights.” “Fair,” Pip said. “I’d only blow it on snacks anyway.” The laughter rippled outward again, scattering among the stars until the whole clearing glowed with gentle, golden light. Creatures turned toward him—some amused, some admiring, a few already plotting to start a tribute act. Marnie landed beside him, giving a little snort. “You realize this means you’re insufferable again.” “Oh, absolutely,” Pip said, grinning. “But now I’m insufferable with depth.” “That’s somehow worse.” They watched the stars fall in silence for a while. It wasn’t comfortable silence—Pip had the attention span of a caffeinated squirrel—but it was companionable. The kind of quiet that happens when you’ve finally stopped trying to fill it. “So what now?” he asked eventually. “Now?” Marnie said. “Now you live with what you’ve learned until you forget it again. Then the sky will teach you something new.” “That’s the cycle?” “That’s the joke,” she said. “Welcome to enlightenment.” He nodded, thoughtful. Then: “Do you think the sky would mind if I did an encore?” Marnie groaned. “You are constitutionally incapable of not pushing your luck.” “True,” Pip said, and before she could stop him, he leapt from the boulder and flared his wings wide. His voice soared into the sky—lighter, freer, full of everything he’d been too proud to feel before. The forest joined him again, this time not out of obligation or curiosity, but out of joy. The whole world became orchestra and audience all at once. And for a brief, impossible moment, Pip thought he could feel the universe smiling—a soundless note of pure approval humming through his bones. Then the note faded, leaving behind only wind and laughter and a toad with no sense of timing. But that was enough. The Lesson (Abridged, Annotated, and Mildly Sarcastic) The moral, of course, is painfully simple: You can’t own what you don’t understand, and you can’t understand what you refuse to hear. Pip learned—eventually—that creation isn’t conquest, and that sometimes the loudest voice in the room is the one quietly keeping time. The universe has rhythm. You can dance to it, or you can get dragged along by it, but either way—you’re part of the song. And maybe that’s the joke, too: everyone wants to headline, but no one wants to rehearse. Pip just happened to learn both the hard and the entertaining way. Which, frankly, is the only way worth learning anything at all. As for the sky—it kept on humming, amused, watchful, and only slightly worried about what Pip would try next. Because one thing’s for sure: somewhere, somehow, that little spotted show-off was definitely plotting a remix. ARCHIVE NOTE: Prints, downloads, and image licensing of “Song of the Spotted Sky” are available through the Unfocussed Image Archive. Perfect for collectors of whimsical art and lovers of morally ambiguous forest creatures. Bring the Magic Home If Pip’s song made you grin, snort, or reconsider stealing from cosmic entities, you can now take a little piece of that story home with you. The artwork “Song of the Spotted Sky” by Bill and Linda Tiepelman is available in several gorgeous formats, each guaranteed to brighten your space—or mildly judge you if you ignore your creative calling. ✨ Framed Print — Because every wall deserves a touch of whimsy and questionable decision-making. ⚙️ Metal Print — Bold, luminous, and utterly indestructible. Perfect for showcasing Pip’s ego in HD. 🧩 Puzzle — 500+ chances to question your life choices, piece by piece. It’s chaos therapy with wings. 💌 Greeting Card — Send a note, a laugh, or an unsolicited life lesson in Pip-approved style. Whichever version you choose, remember: art is just another way of singing with your eyes open. And if you start hearing the forest hum back—don’t worry. That’s just Pip trying to duet again.
