par Bill Tiepelman
Radiant Reverie in St. Louis
I had photographed the Arch a dozen times before. Early mornings, golden hours, even midday when the light flattened every line and shadow. But that night—that night—the sky cracked open like fire on velvet. I remember checking my watch just as the clouds ignited: 7:47 PM. I’d been waiting, hoping for something new. I didn’t know I’d get more than I bargained for. There was a stillness on the riverfront that didn't match the wind brushing past me. The Mississippi barely stirred, yet my coat flapped at my sides like impatient wings. I set up the tripod, leveled my wide-angle, and locked it in. Across the water, the skyline pulsed with color, each building rimmed with light like they'd been painted by flame. The Arch—silver by day—now shimmered in hues of burnt copper and violet. I started the long exposure. Through the viewfinder, everything looked perfect. But when the shutter clicked and the screen preview lit up, my stomach dropped. The skyline in my photo… wasn’t this skyline. The buildings were there, yes—but subtly wrong. Window arrangements off. A steeple I’d never seen before. One tower seemed taller than it should be. And at the center of the Arch, standing still and solitary, was a figure. Backlit. Motionless. Watching. I spun around, half expecting to see someone behind me. Nothing. Just the wind again, sighing low along the levee. I chalked it up to sensor glitch, maybe a trick of the lights. I tried again. Another shot. And another. But each photo returned the same distorted cityscape. Each time, the figure remained. A silhouette wrapped in light too intense to be from this world, too still to be alive. Then the figure moved. Not in the scene itself—but in the preview on my camera’s screen. Its head tilted. Slightly. Then more. As if acknowledging me. Or inviting me. That’s when I noticed something worse: the reflections in the river. They didn’t match the buildings anymore. They danced, flickered. One looked like a face screaming in slow motion. Another, a row of windows dripping upward into the sky. I should’ve packed up. Left. But something in me—curiosity, fear, pride—froze my feet to the concrete. The temperature dropped. Sharp. Sudden. My breath fogged the lens. Somewhere to my right, footsteps echoed. Measured. Hollow. I turned… And there was no one there. The Arch Between Worlds I must have stood there for minutes, maybe more, camera still humming from the last shot. The footsteps had stopped, but their presence lingered. You know that feeling when someone’s reading over your shoulder? Like something is too close to be seen? That. I zoomed in on the last image. The silhouette—closer now—had details. A trench coat. Hands at its side. No face. Or maybe… too many faces, blurring where a single one should’ve been. My hands trembled, betraying every ounce of practiced calm I’d cultivated over years behind the lens. And then, something whispered. Not from around me, but inside the camera. “It sees you now.” I dropped it. The body hit the concrete with a sound too sharp, like metal striking bone. The screen glitched—then went black. But not before flashing one final image I hadn’t taken: a close-up of me, standing where I stood, eyes wide, mouth agape… and the figure right behind me, hand reaching out. I spun again. Nothing. Not even the wind now. Everything had gone too still. Even the river had frozen—literally. A thin sheet of frost crept across its surface, from the banks outward, like a skin sealing off something below. The Arch gleamed unnaturally. It was no longer reflecting the city’s lights—it was emanating its own. Pulses, low and slow, like the heartbeat of something sleeping. Or waking. Urban legends whisper about certain places being thin. Where reality wears a little too smooth. Places where the past and future lean too close, where the living and the dead breathe the same air. I’d never bought into it before. But now, standing beneath a structure built to honor westward expansion, I was starting to wonder if the Arch was never a monument. Maybe it was a door. I left the gear. Just walked. Fast. Didn’t stop until I saw people again, laughing on a patio, raising drinks. Music playing. The normal world, just out of reach until it wasn’t. I never recovered the camera. But sometimes, when I look across the river at dusk, I swear I see the sky shimmer too much. I see the reflections bend wrong. And in the windows of the tallest tower, a figure stands. Still. Waiting. People think I’m chasing the perfect shot. That’s only half true. I’m also trying not to take the one that finds me. Bring the Legend Home If the mystery of Radiant Reverie in St. Louis haunted your imagination like it did mine, you're not alone. Now, you can carry a piece of the story into your own space—or share it with someone who sees the world a little differently. Framed Print – Display the gateway to the surreal in stunning detail, ready to hang as an elegant conversation starter. Tapestry – Let the sky stretch across your walls like a portal between worlds. Puzzle – Piece together the mystery yourself, one eerie reflection at a time. Greeting Card – Send a story in a frame, perfect for those who still believe in the unexplained. Every item features the vivid colors, haunting composition, and urban mythos captured in this one-of-a-kind image. Add it to your collection—or gift it to the wanderer who never stops looking past the veil.
