frog

par Bill Tiepelman

Between Pencils and Planets

Froggert Van Toad and the Infinite Sketchpad By all accounts, Froggert Van Toad had lived a rather normal life for a frog who’d recently transcended dimensional boundaries via a raincloud. Not that he planned it. Froggert was, if anything, chronically unplanned. His days were normally spent slurping existential lattes on lily pads and sketching esoteric doodles that no one appreciated—least of all his cousin, Keith, who insisted Froggert get a "real job," like fly herding or insurance fraud. But Froggert was an artist. A philosopher. A fishless fisherman. And above all, an amphibian of radical optimism. So when a glowing planetary orb began weeping over his sketchbook one day—dripping cosmic tears onto his to-do list (which only said “nap” and “invent a new blue”)—Froggert didn’t flinch. He grabbed his favorite pencil, a stubby orange No. 3 with bite marks and delusions of grandeur, and dove right into the puddle. And that’s how he ended up here: fishing in a pond no bigger than a coaster, surrounded by office supplies, under a cloud that cried moonlight. He sat in his rolled-up shorts, water tickling his knees, casting his line into a miniature ecosystem populated by suspiciously judgmental goldfish. They blinked at him in passive-aggressive synchrony, as if to say, “You brought a reel into a metaphor?” But Froggert was unfazed. He’d seen worse critiques. That one time he submitted a sketch of a melancholy snail to the Prestigious Amphibian Arts Guild, they mailed back a single word: “why.” (Not “why?” Just “why.”) Now, he was determined. This wasn’t just a pond. This was the blank canvas between realities. The moist studio of the gods. The aquatic cradle of art itself. And Froggert would fish inspiration from it—hook, line, and overthinker’s spiral. Behind him, a stubby army of orange pencils stood like battalions of judgmental monks, whispering things like “perspective lines” and “remember shadows, idiot.” He ignored them. Froggert had more pressing concerns. Namely, what exactly was nibbling his bait… and whether or not it was the ghost of Van Gogh’s hamster, or just another manifestation of his imposter syndrome. The line tugged. His eyes widened. “Oh, it’s happening,” he muttered, gripping the reel like a frog possessed. “Either I’m about to catch the next great concept or a very angry cosmic metaphor.” From above, the cloud rumbled. Drops fell like glimmering commas, as if punctuation were raining directly onto his artistic block. Froggert smiled. “Come to papa,” he crooned to the void, “You’re either my muse or a fish with a graduate degree in chaos.” And then he pulled. The Fish, The Muse, and the Accidentally Erotic Eraser With a grunt that sounded suspiciously like a French exhale, Froggert tugged his line and reeled in... absolutely nothing. Nothing, but in a very specific way. It wasn't the absence of a fish that worried him. It was the *presence* of the absence. The line came back empty, yet shimmering—dripping with symbols that hadn't been invented yet, glowing in hues only visible after a double espresso and a full-on existential crisis. He blinked. Once. Twice. The air wobbled. Somewhere between the cloud and the pencils, a tiny trumpet made of watercolor sound blasted a four-note jingle he instinctively knew was titled “Bold Decision #6.” The pond rippled, and the goldfish formed the shape of a face. Her face. His muse. She emerged like a dream filtered through a Salvador Dalí colander—part fish, part frog, part celestial librarian. She had lips like an unspoken poem and gills that blushed when she noticed Froggert’s stare. In one delicate webbed hand, she held a scroll labeled “Plot Device”, and in the other, an iridescent eraser that radiated the sultry aura of forbidden grammar corrections. “Hello, Froggert,” she said, her voice a cross between jazz and a warning label. “I see you’ve been fishing again.” Froggert stood, wobbling slightly in the pond, pants soaked, posture heroic in the way that only extremely damp frogs can manage. “Muse,” he said breathlessly, adjusting his beret, which hadn’t been there moments ago. “You’ve returned. I feared you’d left me. You’ve been gone since the Great Sketchbook Fire of ’22.” “I had to,” she said. “You were still shading with a single light source like an amateur. And your metaphors? They were becoming… squishy.” He gasped, wounded. “Squishy?! That’s harsh coming from a woman who once used a walrus to symbolize late-stage capitalism.” She smiled coyly. “And it worked, didn’t it?” The goldfish nodded in unison like backup dancers with tenure. The Muse floated closer, and the pond deepened beneath her like the gravity of deadlines. She reached out with her eraser and touched Froggert lightly on the snout. His nose itched with the forgotten scent of acrylics and ambition. Around them, the pencils began to chant rhythmically, “DRAW, DRAW, DRAW,” like a cult of overly caffeinated art students. “You’ve been blocked,” she whispered. “Creatively. Emotionally. Aquatically.” “I know,” he croaked. “Ever since my last series—‘Anxious Gnomes in Business Casual’—got shredded in the gallery’s Yelp reviews, I haven’t been able to finish a single canvas. I just sit on my log, sip lukewarm inspiration, and yell at birds.” She laughed. The water giggled in sympathy. “You’ve forgotten why you create. It’s not about applause or reviews. It’s about process. Mystery. That delicious panic of not knowing what the hell you’re drawing until it stares back and says, ‘You missed a spot.’” Froggert blinked. “So… you’re saying I need to stop worrying about being brilliant and just make beautiful, weird nonsense?” She nodded. “Exactly. Now here—take this.” She handed him the eraser. As it touched his hand, the world shivered. Not violently. More like a flirty shimmy from a cosmic belly dancer. Instantly, Froggert was filled with memories—unfinished sketches, forgotten ideas, that one time he tried to animate spaghetti into a romantic lead. All of it. But now, he saw the value. The humor. The joy in the mess. “But wait,” he said, looking up, realization dawning like a sunrise painted by someone with access to very expensive light filters. “Why now? Why come back to me today?” Her expression softened. “Because, Froggert... the moon cried. And the moon only cries when a real artist is close to remembering who they are.” And then, just like that, she vanished—dissolving into the pond like watercolor in warm tea. The goldfish scattered, the cloud hiccupped, and the pencils screamed with fresh enthusiasm, now shouting, “EDIT! EDIT! EDIT!” Froggert stood alone, soaked and inspired, holding the sacred eraser and the line still shimmering with raw potential. He looked down at his feet, then at the sky, then at the empty canvas that had suddenly appeared on the grass beside him. He squinted at the canvas. It squinted back. “Okay,” he muttered. “Let’s make something… ridiculous.” The Exhibition at the Edge of the Desk Three days later, Froggert Van Toad had become a legend. Not in the mainstream sense. He hadn’t gone viral, nor been featured in any reputable galleries, nor even accepted into the local toad-based co-op (which had very strict “no dimension-hopping” bylaws). But in the hidden circles of interdimensional art critics, caffeine-fueled stationery supplies, and emotionally available goldfish, Froggert had ascended. It began with a single stroke—a chaotic, daring, slightly smudged line across the canvas. Then another. Then a furious explosion of colors that defied any wheel ever taught in art school. Froggert wasn’t just painting—he was exorcising doubt, romanticizing absurdity, and interrogating the myth of clean edges. The pond became his studio. The pencils? His choir. The cloud? A misty muse of background lighting. Each day, Froggert woke with dew on his snout, inspiration in his chest, and a dangerously erotic eraser tucked into his tiny toolbelt. He painted frogs as astronauts, bananas as philosophers, and fish as unfulfilled middle managers. He painted dreams that had no name and breakfast items with disturbing emotional baggage. One afternoon, he created a six-foot tall self-portrait made entirely of regret and glitter glue. The Muse reappeared briefly just to weep softly, fan herself with a palette, and disappear into the wallpaper. And then it happened. The cloud, in a particularly dramatic lightning-sneeze, unveiled a cosmic scroll: a gallery invitation addressed to “Froggert Van Toad, Artisan of Madness.” The location? The Edge of the Desk. The ultimate exhibition space—where the clutter ended and the void began. A place feared by dust bunnies and respected by rogue paperclips. Only the bravest creatives dared show their work there, teetering on the boundary of purpose and oblivion. Froggert accepted. Opening night was electric. The crowd—a curated mash of sapient staplers, depressed ink cartridges, origami swans with MFA degrees, and a talking cactus named Jim—gathered with baited breath and literal bait (there were snacks). A paper lantern orchestra hummed ambient jazz. Someone spilled chai on a crayon that immediately broke up with its label and swore off monogamy. Froggert arrived dressed in a dramatically flared bathrobe and mismatched galoshes. He held a martini made of melted snowflakes and bravado. Behind him stood his masterpieces, now elevated by string, glitter tape, and invisible emotional scaffolding. The crowd gasped. They gurgled. One staple fainted. A pair of thumbtacks whispered something scandalous and applauded with their pointy heads. And then the Muse returned. Not as a whisper or a ripple—but as a full-bodied hallucination wearing sequins, eyeliner, and the unmistakable aura of a metaphor that got tenure. She approached Froggert, eyes glinting with admiration and a hint of unfinished business. “You did it,” she said. “You turned doubt into spectacle.” Froggert croaked softly. “I had help. And also, possibly a mild head injury.” “It suits you.” They stood in silence for a moment, staring at the final piece: a chaotic, iridescent pondscape titled “Hope Wears Galoshes.” “So,” Froggert ventured, twirling the eraser in his fingers, “you gonna vanish again or…?” She smirked. “Only if you forget what this is really about.” “Art?” “No,” she said, leaning in close, her voice like soft thunder. “Permission.” Froggert nodded slowly, like a philosopher in slow motion or a frog too proud to admit he just got goosebumps. The cloud wept in joy. The pond burbled in applause. A rogue mechanical pencil proposed marriage to a sentient paintbrush. The Edge of the Desk shimmered with possibility, just as a nearby drawer yawned open and revealed an entire dimension of unsorted inspiration waiting for its day in the sun. Froggert took the Muse’s hand. “Let’s get weird,” he said. And they vanished into the puddle, giggling. The End… and also, just the beginning.     Bring Froggert's universe home with you! If you’ve laughed, lingered, or just slightly fallen in love with the world of Froggert Van Toad, why not invite a piece of his whimsical pondscape into your own space? From galaxy-kissed metal prints to dreamy canvas artwork, every detail of “Between Pencils and Planets” is ready to leap from the page and onto your wall. Feeling cozy? Drift into inspiration with our luxurious art tapestries or dry off from your next muse-induced pond dive with our irresistibly soft beach towels. Want to send a little creative chaos to someone special? Share the story with a printed greeting card that says, “I believe in amphibians, and you.” Explore all available formats at shop.unfocussed.com and let the muse move you.

par Bill Tiepelman

Ribbit in Bloom

The Blooming Problem Floberto was not your average frog. For starters, he hated mud. Absolutely despised it. Said it squelched between his toes in a way that felt “improper.” He preferred things clean, colorful, and dramatically fragrant. While the other frogs were happily ribbiting under lily pads, Floberto dreamed of finer things—like rose petals, rainwater champagne, and just once, being serenaded by a jazz quartet during a thunderstorm. His dreams were a constant source of eye-rolls among his pondmates. “You can’t be serious, Floberto,” hissed Grelch, a grumpy old bullfrog with a croak like a flat tire. “Roses? They have thorns, you idiot.” But Floberto didn’t care. He was determined to find a bloom that matched his... ambiance. So one dew-drenched morning, he leapt from the pond’s edge and set off into the Great Garden Beyond. Legends said it was ruled by a monarch named Maribelle the Cat, who once ate a squirrel simply for looking too nervous. Floberto, with all the swagger of a frog who moisturized, was undeterred. Hours passed, and he hopped past fields of forget-me-nots, ducked under hydrangeas, and narrowly avoided becoming a bee’s accidental booty call inside a tulip. He was about to give up, mid-hop, when he smelled it. That perfume. Spicy, citrusy, the kind of smell that said, “Yes, darling, I am a bit much.” It was there—gleaming in the morning sun like a royal summons. A rose. But not just any rose. This one was massive, with petals like velvet dipped in sunset, unfurling in warm spirals of amber, gold, and just a hint of menace. She looked dangerous and fabulous. Just like Floberto liked his romantic prospects. Without hesitation, he leapt into the center, nestling himself deep in the bloom’s luxurious folds. And just like that, he vanished. From the outside, you couldn’t see him at all. It was as though the rose had swallowed him whole in an act of floral flirtation. From inside, Floberto grinned. “Finally,” he crooned, “a throne worthy of my thighs.” Unfortunately, what he didn’t know was that this rose wasn’t just a flower. It was enchanted. And not in a sweet, Disney sort of way. More like “cursed by a flirtatious horticulturist with trust issues.” The moment Floberto adjusted his bottom on a particularly plump petal, the rose shuddered. Vines curled inward. Pollen shimmered like glitter caught in a spell. And with a final burp of magical energy, Floberto the Frog was fused with the flower in a way that no amphibian therapist would ever be trained to explain. He blinked. His legs were still there. His froggy features, intact. But so were the petals, now a part of him—wrapped over his shoulders like a cape, blooming out of his back like wings, and curling around his head like a fashion-forward bonnet made by a deranged florist with dreams of Paris. “Okay,” he said to the sky. “This is not a problem. This is branding.” Somewhere in the hedges, a squirrel watching the whole thing dropped its acorn and whispered, “What the actual frog...” Crowned in Sass, Drenched in Destiny Now, some frogs might panic when they find themselves fused with an enchanted flower. Some might scream, hop uncontrollably in a flurry of pollen, or launch into frantic ribbits while demanding an audience with the nearest wizard. Not Floberto. Oh no. He adjusted his petal-collar, gave his shoulders a smug little shake to test the bounce of his newly acquired floral frill, and declared, “I am officially stunning.” After a brief moment of self-admiration and two more just for safety, Floberto did what any self-respecting frog-flower chimera with a flair for the dramatic would do: he struck a pose and waited to be discovered. Which, as fate and garden politics would have it, didn’t take long. Enter: Maribelle the Cat. Now, Maribelle wasn’t your average backyard feline. She wasn’t here for belly rubs and laser dots. No, she was the self-appointed Queen of the Garden—a sleek, smoky-gray tabby with golden eyes and a penchant for biting the heads off garden gnomes. Legend said she once held an entire standoff with a hawk and won with nothing but a sarcastic yawn and a claw swipe to the face. Maribelle didn’t rule the garden. She curated it. She edited it. Anything that didn’t suit her aesthetic was peed on or buried. So when whispers reached her twitchy ears that something “weird and colorful” was blooming in the west patch without her permission, she padded over with the slow, deliberate menace of someone who had never once been told ‘no.’ She arrived in a rustle of leaves and contempt, her tail high, her pupils narrowed like judgmental slits. When she saw Floberto—perched in his glorious rose-throne, all eyes and petals and smug self-satisfaction—she stopped. Blinked. Sat down with a thud. “What in the organic, compostable hell are you?” she drawled. Floberto, unbothered and blooming, tilted his head. “I am evolution, darling.” Maribelle sniffed. “You look like a salad bar with an identity crisis.” “Compliment accepted.” The cat’s tail flicked. “You’re not supposed to be here. This is my garden. I approve the flora. I nap beneath the ferns and occasionally murder voles under the moonlight. You’re... chaos.” Floberto gave her a slow blink that rivaled any feline. “I am art. I am nature. I am the drama.” “You’re a frog in a flower.” “I am a floral icon and I demand recognition.” Maribelle sneezed in his direction, then began licking her paw aggressively, as if washing away the very concept of his presence. “The aphids are going to unionize over this.” But as she licked and side-eyed him, something peculiar began to happen. Bees hovered near Floberto but didn’t sting. The winds shifted softly around him. Even the usually snobby tulips bent ever so slightly in his direction. The entire garden, it seemed, was paying attention. “This isn’t just enchantment,” Maribelle muttered. “This is social disruption.” She paced in a slow circle around Floberto’s rose, tail twitching like a WiFi signal in a thunderstorm. “You’ve fused plant and animal. You’ve blurred the ecosystemic binary. You’ve created something… unsettlingly stylish.” Floberto let out a demure croak. “Thank you. It’s not easy to be groundbreaking and moist at the same time.” And that’s when it happened. The change. The first true moment of transformation—not just of body, but of status. A caterpillar, previously known in the garden for his severe anxiety and refusal to molt, climbed shakily up a daisy stalk and squeaked out, “I like it.” Then a hummingbird zipped by, paused mid-air, and murmured, “Sick drip, my guy.” And then—then—a dandelion puffed itself up and whispered on the breeze: “Icon.” Maribelle stood stunned. For the first time since she’d declared herself queen (following a particularly dramatic standoff with a weed whacker), something had shifted in the power structure of the garden. Floberto hadn’t just inserted himself into her kingdom—he had begun to redefine it. “Fine,” she growled. “You want recognition? You’ll get it. Tomorrow, we hold the Garden Assembly. And if the creatures vote to keep your fancy froggy behind here... I’ll allow it. But if they don’t—if they choose order over petal-draped madness—I’ll personally punt you back into the mud, no matter how dewy your couture is.” Floberto smirked, utterly unthreatened. “Very well. I shall prepare my speech. And my shoulders. They require shimmer.” That night, Floberto didn’t sleep. Partially because the rose tickled when he inhaled too deeply, but mostly because he was planning. His speech would need to be powerful. Transformational. He needed to speak to the soul of every underappreciated weed, every overlooked earthworm, every moth who ever wanted to be a butterfly but feared the judgment of dahlias. He would become the symbol of blooming where you were defiantly not planted. And if he had to wear a floral cape and flirt with a cranky cat queen to do it, so be it. “Let the garden try to contain me,” he whispered, striking a dramatic silhouette against the moonlit rose. “Let them bloom with me... or get left in the compost pile of irrelevance.” The Assembly of Bloom and Doom Morning arrived not with birdsong, but with murmurs. Whispered pollen gossip. The buzz of gossiping bees. A nervous rustling of leaves that said, “Something is happening, and we might need snacks.” Maribelle had summoned every living thing in the garden—excluding the mole, who refused to surface without a lawyer. From the regal daffodils to the existentially confused ants, all came to the Great Garden Assembly, held (somewhat inconveniently) beneath the raspberry trellis, which was known for its uneven lighting and thorn-related lawsuits. Maribelle perched atop a rock shaped like an accidental phallus and addressed the crowd with all the weary condescension of a monarch who had been asked to host a talent show against her will. “Creatures of the garden,” she yawned, “we are gathered today to determine whether this... amphibious flower accident stays among us, or is expelled for crimes against aesthetic continuity.” Floberto cleared his throat—or, more precisely, croaked with confidence—and leapt onto a dahlia podium someone had sneakily erected with twine and optimism. His petals gleamed. His eyes shone with wet conviction. And, as if nature itself were cosigning his vibe, a single butterfly landed on his petal-shoulder like a biodegradable mic drop. “Fellow photosynthesizers and pollinators,” he began, “I come not to divide this garden, but to bloom with reckless intent.” Gasps rippled. A dandelion fainted. Somewhere in the back, a pine beetle clapped and immediately felt self-conscious. “You see,” he continued, pacing in slow, regal hops, “we have been told we must be either plant or animal. We must choose dirt or dew. Legs or leaves. But what if I told you that we could be both? That we could leap and lounge in sunlight. That we could ribbit while smelling fantastic.” The crowd was rapt. Even the cucumbers, normally disinterested in political anything, leaned forward. “I was not born into a rose. I became one. By choice. By accident. By enchantment. Who knows? But in doing so, I became more than the sum of my slime.” From the dais, Maribelle squinted. “Is this... performance poetry?” “It’s a manifesto,” hissed a monarch butterfly, who once went to a workshop in Brooklyn and wouldn’t shut up about it. Floberto flared his petals and took a deep breath. “There are creatures here who’ve never known what it means to feel seen. The aphids who dance ballet in secret. The slug who writes romance novels under a pseudonym. The worm with a crippling fear of tunnels. I am here for them.” “And also,” he added, “because I look fabulous and you can’t stop looking at me.” A chorus of high-pitched squeals erupted from a cluster of teenage mushrooms. A squirrel clutched his chest. A ladybug whispered, “Is it possible to be... into this?” Then, from the back, came a voice—slow, sticky, and devastatingly sincere. It was Gregory the Snail, infamous for his questionable love poems and trail-based calligraphy. “He made me feel... pollenated... in my soul.” The crowd broke into chaos. Vines writhed with excitement. Bees accidentally high-fived in midair. A mole did surface—but only to declare, “I’m bisexual and this frog makes me believe in reincarnation.” Maribelle hissed for silence, but it was too late. A revolution had begun. Not of swords, nor claws—but of identity. Of glamour. Of unapologetic self-expression by way of botanical mutation. And so it was done. By a landslide vote—three grubs abstained, citing “confusion”—Floberto was not only permitted to stay, but was crowned the first-ever Ambassador of Floral Weirdness and Unapologetic Vibes. Maribelle, with all the grace she could muster, approached him. “Well played,” she muttered, licking one paw and gently adjusting a petal. “You’re still unbearable, but you’re... effective.” Floberto bowed. “Thank you, your majesty. I’m like mildew—impossible to ignore, and occasionally poetic.” And so, the garden changed. Just a little. Just enough. New blooms began to sprout in strange shapes. The caterpillar finally molted and became a butterfly with bisexual lighting on his wings. The slug published his novel under the name “Velvet Wiggle.” And Maribelle, although she’d never admit it, began sleeping under the rosebush where Floberto lived—just close enough to hear his nightly affirmations. “I am moist. I am magnificent. I am enough.” And in the moonlight, the garden whispered back... “Ribbit.”     Feeling enchanted by Floberto’s floral fabulousness? Bring the sass and splendor of “Ribbit in Bloom” into your world with a variety of fine art products designed to bloom on your wall—or your coffee table. Whether you're vibing with a framed print that turns heads, a sleek metal print with attitude, or a luxe acrylic print that sparkles with drama—Floberto’s got you covered. For those who prefer a more interactive experience, try the jigsaw puzzle (it's like frog-fueled therapy). Or send a smirk by mail with a sassy greeting card. However you bloom, bloom boldly.

par Bill Tiepelman

Saut luminescent

Tout a commencé un jeudi soir, une de ces soirées tranquilles où rien de particulier n'était censé se produire. Jusqu'à ce que Gary, un employé de bureau ordinaire, se retrouve témoin de l'expérience la plus étrange, presque psychédélique, de sa vie. Gary, qui se targuait d'être un type extrêmement rationnel, était sur le point de voir sa réalité bouleversée comme une crêpe au petit-déjeuner de Denny's. Il sirotait sa bière tiède, évitant la tentative de son voisin de l'entraîner dans une autre diatribe à propos des clôtures de jardin, quand quelque chose de brillant attira son attention. Au début, il crut que sa vision le dérangeait – peut-être trop de temps passé devant un écran, ou ce houmous périmé de tout à l'heure. Mais non, c'était réel. La chose brillait et sautait droit sur lui. Entrez : la grenouille. La grande entrée de la grenouille lumineuse Ce n'était pas n'importe quelle grenouille. Non, cet amphibien avait l'air de sortir d'une rave party organisée dans une lampe à lave. Sa peau brillait en tourbillons de néon, comme si quelqu'un l'avait peinte avec de la peinture corporelle réactive aux UV et l'avait lâchée dans un club. Des yeux rouges comme des boules à facettes se fixaient sur le visage médusé de Gary. « Quoi... mais c'est quoi ce bordel ? » murmura Gary pour lui-même. La grenouille restait assise là, sans se soucier de rien, vibrant de couleurs qui rendraient jaloux même le festivalier EDM le plus aguerri. Gary s'agenouilla, étrangement attiré par cette petite créature de rave. « Ok, mon pote, c'est quoi ton problème ? » demanda-t-il, comme si cette grenouille était sur le point de se lancer dans une conférence TED sur la bioluminescence. Au lieu de cela, la grenouille cligna des yeux une fois puis, sans prévenir, sauta directement sur sa poitrine. Le lien improbable La plupart des gens auraient hurlé, se seraient agités et auraient peut-être appelé la protection des animaux. Mais Gary, dans son déni habituel, se tenait là, raide comme une planche, tandis que la grenouille s'accrochait à sa chemise comme une broche décorative venue d'une autre dimension. Quelques instants passèrent. Gary commença à se détendre, son pouls se synchronisant avec la lueur rythmique de la grenouille. C'était bizarre, mais ce n'était peut-être pas la pire chose qui lui soit arrivée de la semaine. Après tout, sa voiture avait été remorquée lundi, son patron lui avait lancé un regard noir pour une faute de frappe dans un e-mail, et maintenant... cette grenouille. Grenouille lumineuse. Serrant sa chemise contre lui. C'était presque... paisible. Mais cette paix fut de courte durée. Sans prévenir, la grenouille fit ce que les grenouilles font le mieux : elle sauta. Mais ce n’était pas n’importe quel saut. Non, c’était un saut avec un grand A. Une seconde, elle était perchée sur la poitrine de Gary, et la seconde suivante, elle s’élança dans le ciel à la vitesse d’un kangourou sous l’effet de la caféine, disparaissant dans la nuit noire d’encre. Les conséquences et la crise existentielle Gary resta là, bouche bée, à l'endroit où la grenouille avait disparu dans le ciel. Il baissa les yeux sur sa chemise, s'attendant presque à y voir un résidu magique, mais non, juste son vieux sweat à capuche légèrement taché. La bière, qui était restée dans sa main, était maintenant chaude et plate. Son voisin continuait à bavarder à propos des clôtures en arrière-plan, complètement inconscient de la fête interdimensionnelle qui venait de se dérouler sur le torse de Gary. Pendant un moment, il se demanda si tout cela n'était qu'un rêve étrange. Peut-être qu'il était en train de perdre la tête. Peut-être que ce houmous était vraiment périmé . Mais Gary sentit alors un léger picotement sur sa poitrine, là où la grenouille s'était assise. Ce n'était pas seulement un picotement, c'était une lueur. Lentement, une douce lueur néon commença à pulser sur sa peau. Il baissa les yeux, bouche bée. « Eh bien, merde », dit-il avec un mélange de crainte et de panique. La nouvelle normalité À partir de cette nuit-là, Gary n'a plus jamais été le même. Il a essayé de retourner au travail, en faisant comme si l'incident de la grenouille n'avait jamais eu lieu. Mais il ne pouvait pas ignorer la lueur. Chaque fois qu'il était stressé, sa peau s'illuminait comme un bâton lumineux humain. Ses collègues l'ont remarqué. Son patron l'a remarqué. Même le type du café a commencé à lui demander s'il était allé à Burning Man récemment. Gary avait deux choix : accepter l’étrangeté ou se faire interner dans l’établissement psychiatrique le plus proche. Après quelques réunions de travail gênantes où ses joues radieuses avaient distrait tout le monde, Gary avait décidé de se lancer dans l'absurdité. Pourquoi pas, non ? La vie était déjà assez étrange. Peut-être qu'être un humain radieux n'était pas la pire des choses. Au moins, maintenant, il pouvait enfin ignorer les diatribes de son voisin sur la clôture sous prétexte de « Je dois aller recharger ma peau » ou quelque chose d'aussi ridicule. Un jour, il se retrouva à marcher dans le parc, la nuit, et elle était là. La grenouille. Se reposant sous un arbre, rayonnante comme si elle n'était jamais partie. Gary s'arrêta et la regarda. La grenouille lui rendit son regard. Il y avait désormais entre eux une compréhension tacite, un respect mutuel. Sans un mot, Gary s'assit à côté de la grenouille. La grenouille sauta sur ses genoux, luisant au rythme du ciel nocturne. Et pour une fois, Gary ne se sentait pas comme un gars avec un problème de grenouille bizarre. Il se sentait... en paix. Brillant, mais en paix. Peut-être que c'était sa vie désormais. Qui sait ? Mais il arrêterait certainement de manger du houmous périmé. Si vous êtes captivé par le design complexe et lumineux de la grenouille luminescente et que vous souhaitez l'intégrer dans votre espace, vous pouvez explorer les impressions, les produits, les téléchargements et les options de licence sur Unfocussed Photography & Art Archive . De l'art mural vibrant aux produits personnalisables, cette création psychédélique est disponible dans plusieurs formats pour répondre à vos besoins créatifs. Pour les passionnés de point de croix à la recherche d'un projet unique et dynamique, le modèle de point de croix Luminescent Leap est un choix parfait. Ce modèle téléchargeable comprend 120 couleurs DMC et mesure 400 x 340 points, conçu pour défier et récompenser les brodeuses avancées avec son design détaillé et lumineux. Ajoutez cette pièce audacieuse et colorée à votre collection dès aujourd'hui !

par Bill Tiepelman

Danse avec le destin : prédateur contre proie

Dans les profondeurs des Bois Murmurants, où les ombres dansaient avec la lumière, un caméléon nommé Verdant errait avec la furtivité d'un secret murmuré. Verdant n'était pas un habitant ordinaire de la forêt ; c'était une créature rusée et pleine d'esprit, drapée dans un manteau de teintes changeantes qui reflétaient ses pensées en constante évolution. Un matin frais, alors que le brouillard recouvrait les broussailles comme un linceul, Verdant tomba sur une ancienne clairière, connue des créatures de la forêt sous le nom d'Arène des Destins. Les légendes murmuraient qu'une force mystique au sein de la clairière pouvait exaucer un simple souhait de n'importe quelle créature, à condition qu'elle survive à son épreuve. Alors que les yeux de Verdant s'habituaient à la lumière étrange filtrant à travers le brouillard, il aperçut un papillon, comme il n'en avait jamais vu auparavant. Ce papillon, nommé Prism, était doté d'ailes qui formaient une tapisserie de couleurs si vives qu'elles semblaient palpiter de vie. Prism, lui aussi, avait entendu les légendes et, fatigué de fuir l'ombre des prédateurs, recherchait la promesse de sécurité éternelle que l'Arène pouvait offrir. Les deux hommes échangèrent des regards méfiants, chacun reconnaissant les intentions de l'autre. « Une danse avec le destin, alors ? » La langue de Verdant vacillait d'amusement, sa voix un mélange de charme et de défi. Prism battit des ailes en signe d'accord, l'air bourdonnant de la tension de leur pacte tacite. Mais l'arène n'était pas un lieu pour de simples démonstrations de bravoure. Alors qu'ils se préparaient à affronter l'épreuve, le sol sous leurs pieds se mit à trembler. Le Gardien de l'arène surgit de la terre, une entité spectrale, tordue et noueuse comme les arbres centenaires qui les entouraient. Avec des yeux brûlants comme du charbon et une voix qui faisait trembler les feuilles mortes, il dit : « Pour réaliser votre souhait, vous devez survivre jusqu'au zénith de la lune, mais un seul d'entre vous peut réclamer le prix. Choisissez maintenant si vous souhaitez vous affronter ou m'affronter. » Verdant et Prism, liés par la nécessité mais divisés par leurs désirs, savaient que la nuit serait longue. Avec un signe de tête qui scellait leur trêve temporaire, ils se tournèrent vers le Gardien, leurs cœurs battant à l'unisson contre les horreurs inconnues qui les attendaient dans la forêt qui s'assombrissait. La danse du destin Tandis que la lune traçait son chemin dans le ciel sans étoiles, Verdant et Prism évoluaient dans les Bois Murmurants, chacun de leurs pas étant obscurci par le regard malveillant du Gardien. La forêt, animée de murmures et de rires moqueurs, semblait conspirer contre eux, les branches s'étendant comme des doigts tordus pour accrocher les ailes délicates de Prism ou entraver la progression furtive de Verdant. La nuit s'approfondissait et, avec elle, les défis s'intensifiaient. Des créatures fantômes, visions spectrales des prédateurs les plus meurtriers de la forêt, émergeaient du brouillard. Chaque rencontre était un test de courage et d'agilité : le camouflage de Verdant le fondait dans le cauchemar, tandis que les ailes éblouissantes de Prism illuminaient leur chemin d'une lueur surréaliste, projetant des ombres étranges qui dansaient de manière moqueuse autour d'eux. Alors qu'ils s'approchaient du cœur de l'Arène, la voix du Gardien résonna à travers les arbres : « Le zénith approche, et ton moment de vérité aussi. Sera-ce une trahison ou un sacrifice ? » Verdant et Prism, le corps fatigué et l'esprit mis à rude épreuve, échangèrent un regard qui exprimait un respect mutuel né d'un péril partagé. La tension entre survie et sacrifice pesait lourd dans l'air. Dans un revirement qu'aucun des deux n'aurait pu prévoir, Verdant, avec un sourire ironique, fit un mouvement de langue dans un geste qui était à la fois un adieu et une feinte. « Cours, Prism, et réclame ton souhait. J'en ai assez de chasser les ombres. » Avec une soudaine explosion de couleurs, Prism s'élança vers la clairière tandis que Verdant se tournait pour faire face à la horde de fantômes qui approchait, son corps se métamorphosant aux couleurs de la bataille. La lune atteignit son zénith lorsque Prism, les ailes battantes comme le cœur de la forêt, se posa au centre de l'Arène. Le Gardien, observant le sacrifice du caméléon, lui accorda le vœu d'une aura si envoûtante qu'aucun prédateur n'oserait plus jamais s'attaquer à sa beauté. De retour dans la forêt, Verdant combattit vaillamment, un sourire sur ses lèvres alors qu'il disparaissait parmi les fantômes, sa légende tissée à jamais dans les contes des Bois Murmurants - les contes d'un caméléon qui dansa avec le destin pour donner à un papillon son rêve. Découvrez notre collection « Une danse avec le destin » Plongez dans l'interaction dramatique de la nature avec notre collection exclusive « A Dance with Destiny: Predator vs. Prey ». Chaque produit capture l'essence de ce moment époustouflant entre un caméléon et un papillon, offrant une façon unique d'apporter un morceau de cette histoire dans votre maison ou votre garde-robe. Affiches artistiques Embellissez votre décoration murale avec nos affiches de haute qualité. Chaque affiche reflète l'imagerie vivante et la tension dynamique de la scène originale, parfaite pour toute pièce nécessitant une touche de drame et de beauté naturelle. Autocollants vibrants Ajoutez une touche de couleur et d'aventure à vos objets du quotidien avec ces autocollants durables et brillants. Idéals pour personnaliser les ordinateurs portables, les bouteilles d'eau et bien plus encore, ils apportent une touche amusante et artistique où que vous les placiez. Tapisseries élégantes Transformez n'importe quelle pièce avec nos superbes tapisseries. Présentant les détails complexes de l'œuvre d'art originale, ces tapisseries servent de point focal, créant une atmosphère d'émerveillement et d'intrigue. Coussins décoratifs Apportez confort et art à votre espace de vie avec nos coussins décoratifs. Chaque coussin est un témoignage doux et moelleux de la survie et de la beauté représentées dans le récit du prédateur et de la proie. Sacs fourre-tout élégants Emportez l'essence de cette rencontre épique avec vous grâce à nos sacs fourre-tout pratiques et tendance. Non seulement ils offrent un espace suffisant pour vos effets personnels, mais ils expriment également avec audace la beauté des moments bruts de la nature. Chaque article de notre collection « A Dance with Destiny » est conçu pour refléter les couleurs profondes et vibrantes et la tension dramatique de la scène originale, ce qui en fait un cadeau parfait pour les amoureux de la nature ou un merveilleux cadeau pour vous-même. Explorez la collection et trouvez la pièce parfaite pour apporter une touche de nature sauvage à votre vie.