par Bill Tiepelman
The Leviathan of Crimson Fins
The Contract, the Boat, and the Bad Idea I signed the contract the way every bad adventure begins: with a cheap pen, a good whiskey, and a promise I absolutely should not have believed. The client wanted “one clean, frame-worthy, trophy-shot of a sea dragon breaching at golden hour—preferably with the fins backlit so the crimson pops.” In other words, they wanted the impossible. Also in other words, they wanted what I live for. Our boat—if you could call a grudging pile of bolted-together aluminum a boat—was The Indecision, and she creaked like a pirate’s knees. The crew was a handpicked circus. There was Mae, a marine biologist who moonlights as a sarcastic influencer (“Like and subscribe if you survive,” she said, deadpan, every time the deck tilted). There was Gus, a retired lighthouse keeper who’d seen enough storms to tsk at thunder and call it “atmosphere.” There was Scupper, a cat who never paid rent and absolutely ran the place. And there was me—the photographer who chases the kind of leviathan artwork that makes people mortgage walls to hang it on. We idled over a trench known on maps as the Cerulean Drop and in sailor gossip as Don’t. It was a bruise in the ocean, a perfect throat where currents swallowed ships, rumors, and occasionally an overeager documentary crew. My drones skimmed the waves like patient gulls, lenses hungry. The sky was bleached linen; the water was that heavy, iron-blue that means something ancient is thinking beneath it. “What are we even calling this thing?” Mae asked, fussing with a sensor array that looked suspiciously like a cookie tin strapped to a car battery. “Dragon? Serpent? Very large ‘nope’?” “The Leviathan of Crimson Fins,” I said, because you name the monster or it names you. “Ocean monster, apex myth, patron saint of bad decisions. And if we do this right, we turn it into fantasy wall art people whisper about from across the room.” Gus spat neatly into the scuppers. “You want whispering? Put a price on it.” Scupper meowed, which in cat means, you’re all idiots but I’m morally obligated to supervise. We set our trap, which was really more of an invitation. A crate of brined mackerel hung off the stern on a cable, swaying like a greasy chandelier. Mae swore by the scent profile. “Not bait,” she said, “just… an alert.” Sure. And my camera was “just” a high-speed confession booth where reality blurts out details in 1/8000th of a second. The trench breathed. The first signal was the light—gone flat, like a stage waiting for an actor. The second was heat: a soft exhale pushing up from thirty fathoms, frosting our lenses with humidity. The third was the sound: a distant churning, like cathedral doors grinding open under the sea. “Heads up,” Mae said, voice suddenly clean and professional. “Pressure shift.” Gus strapped in. “If it asks for our Wi-Fi, say no.” I checked the rig: twin stabilized gimbals; two primary cameras with glass fast enough to steal light from the gods; one custom housing that laughed at salt spray; and a backup sensor because I am unlucky, not stupid. I locked the focus plane where water becomes miracle—right at the skin of the sea, where everything important happens fast. On the monitor, my forward drone caught something like weather made of scales. Not a shape yet—more a rumor of geometry, patterns tiling and untangling, teal deepening to indigo, then flashing to ember as if a forge had opened underwater. “We’ve got movement,” I said. My voice did not shake. It quivered tastefully. The cable rattled. The mackerel crate jittered as if nervous about its life choices. The ocean lifted—not in a wave, but in a shrug—as if something vast were moving its shoulders beneath the surface. Mae inhaled. “Oh… wow.” I’ve seen whales breach like towns rising into the sky. I’ve watched a waterspout turn a horizon into a zipper. I’ve never seen intent like this. The sea dragon didn’t so much emerge as arrive—with the unbothered confidence of a storm or a billionaire. A horned brow cut the surface. Then an eye: gold, patient, and very much not impressed with us. The head that followed was architected in brutality, scaled in mosaics of copper-green and slate, every contour slick with the wet clarity that makes studio lights jealous. “Record. Record. Record.” I heard my own voice go stupid with awe. Shutter clatter became music. The hyper-realistic dragon in my viewfinder looked less like a legend and more like the ocean had decided to grow teeth and unionize. The dorsal fins surfaced next—those famous crimson fins—not simply red, but layered: ember at the roots, blood-orange in the membranes, and sunset right at the edges, where backlight turned them electric. The water loved those fins. It banded to them. It worshipped them in halos of spray. The droplets hung midair long enough to pose. Gus muttered, “That’s a church right there.” Mae was already taking readings with the kind of grin that makes tenure committees nervous. “Thermal spikes. Electromagnetic flutter. And… pheromone traces? Oh, that’s not great.” “Not great how?” I asked, eyes welded to the viewfinder, fingers dancing the exposure like a safecracker. “As in, we may have rung the dinner bell for two of them.” Scupper chose that moment to hiss at something no one could see. Cats always get the trailer before the movie. The dragon turned—slowly, with the bored drama of a queen acknowledging peasants—and noticed our crate. It extended a whiskered tongue, black as ship rope, and tasted the air with a sound like a violin string being plucked by thunder. Then it laughed. I swear to all six gods of the Gulf, it laughed—just a rasp, a chuckle made of old anchors and older appetites—but laughter, all the same. My camera caught that look: the cruel amusement, the lazy competence. The ocean guardian had decided we were entertainment. “Okay,” I said, “new plan: we don’t die, and we get a cover shot that sells out a thousand limited editions.” “Your plan is just adjectives,” Gus said. “Adjectives pay the fuel bill.” The dragon flowed closer, scales ticking like coins in a jar. Up this near, the details became a problem. There were too many: micro-ridges, healed scars, salt crystals clinging to the armored plates, tiny lichens (or were those symbiotic glow-worms?) threading faint bioluminescent veins through the membranes of those red sails. My lens, brave soldier, held the line. Then the ocean dropped three feet as something else displaced it. Mae’s monitors screamed. The surface behind the first dragon bulged, then fractured, as if the trench were spitting out a second opinion. “Told you,” Mae whispered. “Pheromones. Either a rival or a—” “Mate?” I finished, trying very hard not to picture how dragons date. “I am not licensed for that documentary.” Gus pointed with a hand that had steadied a lighthouse through hurricanes. “You two can argue taxonomy later. That one’s looking at our engine. That one’s looking at our camera. And neither of them blinks like something that respects warranties.” I toggled the burst rate to indecent and framed the shot of my life: the first dragon rising, jaws open in a roar that showed a cathedral of teeth; the second a darker ghost pushing the sea aside in a crown of foam; the horizon tilting like a stage set; a sky abruptly crowded with gulls who’d read the script and decided to improvise exits. Somewhere inside the panic, a part of me—the greedy, artistic, unfathomably stubborn part—did the math. If I waited one more beat, right as the primary broke full breach, the crimson would hit the sun at the perfect angle and the water would pearl along the fin like diamonds. That was the difference between a good shot and a print that makes rooms go quiet. “Hold…” I breathed, to the boat, the crew, the camera, the universe. “Hold for glory.” The ocean obeyed. It coiled, tensed, and exploded. The Leviathan came up like a missile wrapped in biology, every line razor, every scale readable, every drop a gemstone. The roar hit us a fraction later, a freight train made of choir. The fin flared—a curtain of crimson fire—and the sun, bless her dramatic heart, lit it like stained glass. I took the shot. And that’s when the second dragon surfaced directly off our stern, close enough to fog the lens with its breath, and gently—almost politely—bit the mackerel crate in half. The Shot That Cost a Hull The sound of the crate snapping was less “crunch” and more “financial catastrophe.” Half the bait disappeared into a jaw lined with teeth that could rent apartments in San Francisco. The other half bobbed sadly against the stern as if to say, you tried. Scupper leapt onto the cabin roof with the agility of someone who hadn’t co-signed a death wish and announced in cat-language, your deductible does not cover this. Mae’s instruments lit up like Vegas. “EM surge! Hull pressure spike! Oh, wow. That’s not physics anymore, that’s improv.” “Less readings, more surviving!” Gus barked, unspooling a line and clipping into the mast like he was back in a storm. “She’s gonna roll us if she sneezes.” The first dragon rose higher, body arcing with impossible grace, like a skyscraper pretending to be a fish. My lens was still glued to it. Water peeled off in sheets, catching the sun and painting rainbows across the fins. Every photo I snapped was pure fantasy dragon poster gold—images that galleries would bid for like hungry pirates. Every photo was also another nail in the coffin of our poor little boat. The second dragon wasn’t so much jealous as… practical. It inspected us with an eye the color of molten bronze. Then it tested our engine with a flick of its tongue. The engine, being mortal and carbureted, sputtered like a kid caught smoking. We weren’t moving unless the dragons approved. We had become their Netflix. Mae clutched her sensor tin. “They’re… they’re talking.” “Talking?” I said, too busy chimping my shots like an idiot to be alarmed. “Do we want subtitles?” “Not words. Pulses. They’re pinging each other with bioelectric bursts. One is dominant. The other’s… negotiating?” She paused, frowned, then added with dry menace: “Or foreplay. Hard to tell.” Gus muttered, “I didn’t sign up for National Geographic After Dark.” The boat lurched sideways as the second dragon nuzzled the stern with its snout. I know people romanticize sea monsters. They imagine scales like armor and faces like statues. Up close, though? It smelled like old kelp and ozone, and the hide wasn’t smooth at all—it was ridged, barnacled, scarred. History written in tissue. A camera lens makes it gorgeous. A human nose makes it survival horror. “Back it off!” Gus yelled, thumping the hull with a gaff hook like he was shooing a drunk walrus. “This tub ain’t rated for dragon cuddles!” I fired my shutter again and again, ignoring the sting of salt spray in my eyes. These were the epic sea creature shots that would hang over fireplaces, that would anchor collectors’ living rooms, that would make curators whisper who the hell got this close? I was already imagining the fine art catalogues: ‘The Leviathan of Crimson Fins,’ limited edition of 50, signed and numbered, comes with a notarized affidavit that the photographer was an idiot with good reflexes. Mae’s monitors screamed. “Guys! Electromagnetic discharge building in the dorsal fins. If this thing sneezes lightning, our cameras are toast.” “Or,” I said, framing the perfect shot of backlit crimson membranes swelling with static, “our cameras are legendary.” “You’re deranged.” “Visionary,” I corrected. The first dragon bellowed. The sound slapped the air itself into submission. Birds detonated from the sky in every direction. The horizon staggered. My stern drone caught the shot: two dragons in the same frame, one rearing with fins blazing like stained glass, the other circling close to our fragile deck, water hissing around its massive shoulders. A composition you could only get if you were suicidal or extremely lucky. I was both. Then the hull cracked. It wasn’t dramatic at first. Just a sound like ice fracturing on a winter lake. But every sailor knows that noise. It’s the universe whispering: you gambled too hard, kid. “We’re taking water!” Gus barked, already knee-deep in foam. He kicked the bilge pump awake, but it coughed like a smoker. “Ain’t gonna keep up if they keep hugging.” Mae looked up from her tin. “If they’re courting, this is the part where they display dominance.” “Define dominance,” I said, even though I knew. Oh, I knew. “Breaching duel,” she said flatly. “They’ll take turns leaping until one backs down. Guess what’s directly in their splash zone?” Scupper yowled, then retreated below deck, proving he was the smartest of us. The sea bulged again. One dragon plunged deep, dragging a wake that spun us sideways. The other rose, fins outspread like cathedral windows, then slammed down into the trench with a force that kicked our boat skyward. For one weightless moment I hung in the air, camera still clicking like an addict’s lighter, framing the impossible. Spray turned into shattered glass all around us. The horizon somersaulted. And then—inevitably—gravity collected its debt. We crashed back onto the sea with enough force to throw Gus across the deck. Mae screamed, not in fear, but in sheer scientific ecstasy. “Yes! YES! Data points! I’m going to publish so hard!” Water poured over the gunwales. My gear clanged. My cameras survived—miracle of miracles—but the boat was coughing its last prayers. The second dragon surfaced again, close enough to fog my lens with its steaming breath, and nudged us like a curious cat toy. Its eye locked on mine. Ancient. Playful. Predatory. And I realized in one sickening, thrilling instant: We weren’t observers anymore. We were part of the ritual. And the ritual wasn’t close to finished. The Baptism of Fools The boat was no longer a boat. It was a prop in somebody else’s opera. We bobbed in the froth between two dragons staging a thunderous love-hate courtship ritual, and every splash came with a side order of “there goes your insurance premium.” The first dragon, the one I’d already christened The Leviathan of Crimson Fins, launched into another breach that would’ve made Poseidon clap politely. It soared like a skyscraper in rebellion, fins ablaze with sunlight. I caught the exact frame: water exploding, teeth gleaming, scales refracting every color a paint store could dream up. A shot worth careers. A shot worth drowning for. Which was convenient, because drowning seemed imminent. The second dragon, not to be outdone, coiled under our stern and erupted sideways. The wave it threw wasn’t a wave at all—it was a wet apocalypse. The Indecision lifted, twisted, and for a few glorious seconds we were flying, boat and all. Gus roared curses so colorful they probably offended Poseidon personally. Mae clutched her tin and screamed, “YES! MORE DATA!” like she was mainlining chaos. Scupper yowled from the cabin in tones that translated roughly to, I did not vote for this cruise line. My cameras clattered around me as I straddled the deck, clicking wildly, chasing glory while the ocean demanded sacrifice. I knew these frames would be legendary dragon artwork, but in the back of my head another thought sharpened: don’t let the SD cards die with you. The dragons circled each other, slamming the sea like dueling gods. Every pass painted the water with streaks of foam, every roar carved the air into panic. Their massive bodies locked in spirals that dragged whirlpools open beneath them. The trench below seethed. The pressure shifted so hard my ears rang. The ocean wasn’t water anymore—it was stage lighting for monsters. And then they both went still. Not calm. Still. Hanging in the water, fins flared, eyes glowing with the judgment of creatures who’ve seen continents drown and continents rise again. The silence was worse than the noise. Even the gulls had stopped fleeing. For a heartbeat, the world forgot how to breathe. Then, as if choreographed, both dragons exhaled jets of steam so hot they scorched the salt from the air. Mae’s instruments fried in her hands with a sad little pop. Gus crossed himself with one hand while jamming a bilge pump lever with the other. Scupper padded up, sat in the middle of the chaos, and calmly licked his paw. Cats are contractually immune to existential dread. The dragons’ heads dipped toward us—closer, closer—until two golden eyes the size of portholes stared directly into mine. I swear they could see every stupid decision I’d ever made, every bill I’d ducked, every ex I’d ghosted. They knew I was here for the picture, not the wisdom. And then—just as my bladder politely suggested we evacuate—they blinked, as if to say: Fine. You’re amusing. You may leave. Both leviathans dived at once, slipping back into the abyss with a grace that mocked gravity itself. The sea rolled over their passing, flattening into a bruised calm. No trace left. No evidence. Just me, three lunatics, one damp cat, and a hull screaming for retirement. Mae finally broke the silence. “So, uh… round two tomorrow?” Gus threw his cap at her. “Round two my ass. This boat’s held together with duct tape and spite!” Scupper sneezed, unimpressed. I sat back, waterlogged, shaking, delirious with the high of it all. My cameras had survived. The cards were full. And when I flicked through the previews, my breath caught. The shots were everything I’d dreamed of: crimson fins lit like stained glass, teeth framed against the horizon, sprays of diamonds frozen midair. Proof that ocean mythology isn’t dead—it’s just very picky about photographers. I grinned through salt-stung lips. “Ladies and gentlemen, we just baptized ourselves in legend.” “And almost died doing it,” Mae muttered. “Details,” I said. “Adjectives pay the fuel bill.” Behind us, the horizon brooded, as if waiting for the next round. I didn’t care. For now, I had the crown jewel: The Leviathan of Crimson Fins, captured in all its feral majesty. People would whisper about these prints, hang them like relics, buy them as if owning one meant you’d faced the ocean’s oldest trick and lived. Which, against every odd, we had. Of course, the boat was sinking, but that’s another invoice. Bring the Legend Home “The Leviathan of Crimson Fins” wasn’t just an adventure—it became an image worthy of immortality. Now you can bring that same feral majesty into your own space. Whether you want a bold centerpiece or a subtle reminder of oceanic legend, the Leviathan translates beautifully into curated art products designed to inspire awe every time you see them. For collectors and décor lovers, the framed print or acrylic print offer museum-quality presentation, capturing every crisp detail of the dragon’s scales and fins. For those who like to puzzle over mysteries (literally), the jigsaw puzzle lets you relive the chaos of the breach one piece at a time. On the go? Carry a touch of myth with you using the tote bag, perfect for daily adventures, or keep your essentials in a sleek zippered pouch that turns practicality into legend. Each product is more than just merchandise—it’s a piece of the story, a way to hold onto the wild thrill of witnessing a sea dragon rise from the deep. Own your part of the adventure today.
