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Pale Messenger of the Void

by Bill Tiepelman

Pale Messenger of the Void

There are names not spoken aloud in the village of Vareth’s Hollow—names so old they cannot be traced in any written tongue, only whispered beneath breath and buried under stones. Names like Keth-Avûn, the Void Binder. Names like Eslarei, the Feathered Curse. The last one was muttered only once in the living memory of any soul who dared remain in that place—on the night the white raven returned. The pedestal still stood on the hill, worn by rain and lichen but never crumbling, though none could remember who carved it. At its base, the runes had long since lost meaning to the common folk, etched deep in a language that fed on silence and blood. And on the winter solstice, when the moon hung lowest and the wind carried the smell of burnt marrow, the raven came back—its feathers bone-white, save for the glistening red streaks that seemed to weep from its own body. Eril Dane, the apothecary's orphaned son, had never believed the stories. A pragmatist raised on tinctures and the bitter bark of reason, he scoffed at tales of "void messengers" and "soul brands." But when the raven landed at dusk, painting the frozen air with the scent of iron and rot, he felt something shift in the marrow of his bones. It wasn’t just fear—it was recognition. His mother had vanished when he was eight, walking into the fog with a leather-bound book and a scar below her throat that he had never noticed before. That same sigil, the one etched behind the raven in ethereal red light, now burned in his memory—he had drawn it once, by instinct, into the dirt. The village priest struck him for it. The scar on Eril’s knuckles still flared in cold weather. That night, he climbed the hill. The white raven did not flee. Its eyes, black as cinder pits and rimmed with blood, regarded him like a judge too weary for mercy. Eril knelt. The sigil blazed behind the bird, painting him in spirals of ruinous light, and a voice—more thought than sound—pressed into his head: “One must remember before they can repent.” He fell into a dream deeper than sleep. There, he wandered a crumbling city of bone towers and red rivers, each building shaped like weeping faces. The raven followed him, now a creature of immense size and shadow, shedding drops of memory and blood alike. In the reflection of a blood-slick river, he saw himself—not as a boy, but as a man wearing robes stitched with runes and guilt. And the raven on his shoulder. When he awoke, hours had passed. The hill was empty. But carved freshly into the stone pedestal, beneath the old symbols, was one new word: Eril. The village would not understand. They would fear him. But he knew now—the raven had not returned for vengeance. It had come for an heir. Vareth’s Hollow did not ask questions. That was how the village survived. But as the days passed and the snows blackened with ash, they began to notice changes they could not ignore. Cattle were born with teeth. Wells whispered secrets when drawn at dusk. The children stopped dreaming—or worse, began to speak of the same dream: a tower of feathers and flame where a man in robes stood screaming, his mouth filled with birds. Eril Dane rarely left the apothecary cellar now. The once-sunny shop was shuttered, herbs wilting against the windowpanes. No one saw him eat. No one saw him age. What they did see—what terrified them more than they dared admit—was the raven. Always the raven. Perched on the crooked weather vane above the apothecary. Watching. Waiting. Growing. Its feathers were not so white anymore. They were beginning to smoke at the edges, feather-tips curling into shadow. And from its body, a soft red glow pulsed like a heartbeat. No one approached the hill again. Not after the dogs stopped barking, and not after the last priest walked into the woods barefoot, weeping, and did not come back. Eril wrote, always wrote. Pages and pages filled with symbols no one could decipher—scratched with clawed quills, stained with something darker than ink. He spoke with the raven, though no lips moved. And at night, his dreams cracked open like rotten eggs, spilling truths that smelled of burning stars and long-buried screams. He saw the first Binding, when the ancient ones flayed the sky and chained the Hunger between worlds. He saw the Feathered Seal, carved from the bones of extinct gods and offered in pact to keep the Void slumbering. He saw the betrayal. The arrogance. The forgetting. And he saw his mother… smiling, mouth stitched shut with sigils, eyes burned out by knowledge she’d swallowed whole. She had walked into the fog to feed the Binding. Her flesh, her memory, her name—offered freely, to keep the world stitched together for another generation. But she had failed. Something had shifted. A glyph misaligned. A promise broken. And the cost would now be paid in full… by her bloodline. The raven was not a messenger. It was a ledger. It had returned not to warn—but to collect. When Eril emerged, on the night of the black moon, he was not alone. His shadow was wrong—too tall, shaped like feathers in a storm, rippling as if caught in an eternal wind. His eyes glowed faintly red, not from within, but as though something behind them was peering out. Watching. Judging. The villagers gathered at a distance, compelled by fear, by awe, by the weight of something ending. He did not speak. He lifted his hand, and the raven spread its wings. From the pedestal behind them, the sigil flared once more—this time not in light, but in absence. A perfect hole in reality. A wound that would never heal. The air wept blood. The trees bowed as though in mourning. And one by one, the names of every soul who had ever whispered Eslarei’s name echoed into the hollow… and vanished. Erased. Devoured. Eril Dane became more than a man that night. He became the last sigil. The Living Bind. The One Who Remembers. His name would never again be spoken in Vareth’s Hollow, because the village no longer existed. The map burned itself clean. The roads rerouted. The stars refused to align above its former resting place. But in certain forbidden grimoires—pages written in feather-blood and sealed with breathless wax—there is still mention of a pale bird that heralds the Void. A raven, crowned in runes, that lands only once every thousand years upon the stone where memory dies. And when it does, it does not come for prophecy. It comes to feed.     Epilogue Centuries passed. The world turned, forgetful as ever. Forests reclaimed the land. Dust buried truth. And still, the pedestal remained—unbroken, untouched, unseen. They called it the "Blind Stone" in the new maps, though none who passed it could remember why they avoided it, only that their hearts grew heavier the closer they came. Even satellite imagery blurred, as if something ancient reached through code and lens alike to keep itself sacred, veiled. Yet every so often, a white bird is spotted by travelers—solitary, silent, watching from a twisted tree or a crumbled stone, feathers too pale for nature, eyes too dark for peace. It does not fly. It simply waits. And for those few who dare sketch its form, or speak its sighting aloud, strange dreams follow. Dreams of towers made of mouths, of a man with a bleeding crown, of a name scratched in ash into the inside of their eyelids. Sometimes they wake with feathers in their hands. Sometimes, they don't wake at all. And in one forgotten corner of the world, where no birds sing and the wind moans in old tongues, the pedestal's runes flicker faintly—like a heartbeat beneath stone. A single word still burns upon it: “Eril.”     If this story lingers in your bones and whispers through your dreams, you can now bring the legend home. Let the raven watch over your space, ward your rest, or shadow your thoughts with these evocative merchandise pieces. Drape your walls in the myth with a rune-bound tapestry, or summon the void’s elegance with a metal print worthy of arcane reverence. Sink into haunting comfort with a plush throw pillow, or let forgotten lore guard your dreams beneath a duvet cover woven with whispers. And if you wander, carry its omen with you in a tote bag etched in shadow.

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Radiant Reverie in St. Louis

by Bill Tiepelman

Radiant Reverie in St. Louis

I had photographed the Arch a dozen times before. Early mornings, golden hours, even midday when the light flattened every line and shadow. But that night—that night—the sky cracked open like fire on velvet. I remember checking my watch just as the clouds ignited: 7:47 PM. I’d been waiting, hoping for something new. I didn’t know I’d get more than I bargained for. There was a stillness on the riverfront that didn't match the wind brushing past me. The Mississippi barely stirred, yet my coat flapped at my sides like impatient wings. I set up the tripod, leveled my wide-angle, and locked it in. Across the water, the skyline pulsed with color, each building rimmed with light like they'd been painted by flame. The Arch—silver by day—now shimmered in hues of burnt copper and violet. I started the long exposure. Through the viewfinder, everything looked perfect. But when the shutter clicked and the screen preview lit up, my stomach dropped. The skyline in my photo… wasn’t this skyline. The buildings were there, yes—but subtly wrong. Window arrangements off. A steeple I’d never seen before. One tower seemed taller than it should be. And at the center of the Arch, standing still and solitary, was a figure. Backlit. Motionless. Watching. I spun around, half expecting to see someone behind me. Nothing. Just the wind again, sighing low along the levee. I chalked it up to sensor glitch, maybe a trick of the lights. I tried again. Another shot. And another. But each photo returned the same distorted cityscape. Each time, the figure remained. A silhouette wrapped in light too intense to be from this world, too still to be alive. Then the figure moved. Not in the scene itself—but in the preview on my camera’s screen. Its head tilted. Slightly. Then more. As if acknowledging me. Or inviting me. That’s when I noticed something worse: the reflections in the river. They didn’t match the buildings anymore. They danced, flickered. One looked like a face screaming in slow motion. Another, a row of windows dripping upward into the sky. I should’ve packed up. Left. But something in me—curiosity, fear, pride—froze my feet to the concrete. The temperature dropped. Sharp. Sudden. My breath fogged the lens. Somewhere to my right, footsteps echoed. Measured. Hollow. I turned… And there was no one there. The Arch Between Worlds I must have stood there for minutes, maybe more, camera still humming from the last shot. The footsteps had stopped, but their presence lingered. You know that feeling when someone’s reading over your shoulder? Like something is too close to be seen? That. I zoomed in on the last image. The silhouette—closer now—had details. A trench coat. Hands at its side. No face. Or maybe… too many faces, blurring where a single one should’ve been. My hands trembled, betraying every ounce of practiced calm I’d cultivated over years behind the lens. And then, something whispered. Not from around me, but inside the camera. “It sees you now.” I dropped it. The body hit the concrete with a sound too sharp, like metal striking bone. The screen glitched—then went black. But not before flashing one final image I hadn’t taken: a close-up of me, standing where I stood, eyes wide, mouth agape… and the figure right behind me, hand reaching out. I spun again. Nothing. Not even the wind now. Everything had gone too still. Even the river had frozen—literally. A thin sheet of frost crept across its surface, from the banks outward, like a skin sealing off something below. The Arch gleamed unnaturally. It was no longer reflecting the city’s lights—it was emanating its own. Pulses, low and slow, like the heartbeat of something sleeping. Or waking. Urban legends whisper about certain places being thin. Where reality wears a little too smooth. Places where the past and future lean too close, where the living and the dead breathe the same air. I’d never bought into it before. But now, standing beneath a structure built to honor westward expansion, I was starting to wonder if the Arch was never a monument. Maybe it was a door. I left the gear. Just walked. Fast. Didn’t stop until I saw people again, laughing on a patio, raising drinks. Music playing. The normal world, just out of reach until it wasn’t. I never recovered the camera. But sometimes, when I look across the river at dusk, I swear I see the sky shimmer too much. I see the reflections bend wrong. And in the windows of the tallest tower, a figure stands. Still. Waiting. People think I’m chasing the perfect shot. That’s only half true. I’m also trying not to take the one that finds me.     Bring the Legend Home If the mystery of Radiant Reverie in St. Louis haunted your imagination like it did mine, you're not alone. Now, you can carry a piece of the story into your own space—or share it with someone who sees the world a little differently. Framed Print – Display the gateway to the surreal in stunning detail, ready to hang as an elegant conversation starter. Tapestry – Let the sky stretch across your walls like a portal between worlds. Puzzle – Piece together the mystery yourself, one eerie reflection at a time. Greeting Card – Send a story in a frame, perfect for those who still believe in the unexplained. Every item features the vivid colors, haunting composition, and urban mythos captured in this one-of-a-kind image. Add it to your collection—or gift it to the wanderer who never stops looking past the veil.

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